নির্বেদহর্ষাদি—তেত্রিশ ঽব্যভিচারীঽ সব মিলিঽ ঽরসঽ হয চমত্কারকারী
निर्वेदहर्षादि—तेत्रिश ऽव्यभिचारीऽ सब मिलिऽ ऽरसऽ हय चमत्कारकारी
nirveda-harṣādi—tetriśa 'vyabhicārī' saba mili' 'rasa' haya camatkārakārī
Synonyms
nirveda-harṣa-ādi—complete despondency, jubilation and so on; tetriśa—thirty-three; vyabhicārī—transitory elements; saba mili'—all meeting together; rasa—the mellow; haya—becomes; camatkārakārī—a causer of wonder..
Translation
"There are other ingredients beginning with complete despondency and jubilation. Altogether there are thirty-three varieties, and when these combine, the mellow becomes very wonderful.
Purport
Nirveda, harṣa, and other symptoms are explained in Madhya-līlā (14.167). The transitory elements (vyabhicārī) are described in Bhakti-rasāmṛta-sindhu [2.4.1-3] as follows:
athocyante trayas triṁśad-
bhāvā ye vyabhicāriṇaḥ
viśeṣeṇābhimukhyena
caranti sthāyinaṁ prati
vāg-aṅga-sattva-sūcyā ye
jñeyās te vyabhicāriṇaḥ
sañcārayanti bhāvasya
gatiṁ sañcāriṇo 'pi te
unmajjanti nimajjanti
stāyiny-amṛta-vāridhau
ūrmivad vardhayanty enaṁ
yānti tad-rūpatāṁ ca te
There are thirty-three transitory elements known as vyabhicārī—ecstatic emotions. They especially wander about the permanent sentiments as assistants. They are to be known by words, by different symptoms seen in the limbs and in other parts of the body, and by the peculiar conditions of the heart. Because they set in motion the progress of the permanent sentiments, they are specifically called sañcārī, or impelling principles. These impelling principles rise up and fall back in the permanent sentiments of ecstatic love like waves in an ocean of ecstasy. Consequently they are called vyabhicāri.