ভূষণের ভূষণ অংগ, তাহেঙ্ললিত ত্রিভংগ, তাহার উপর ভ্রূধনুনর্তন তেরছে নেত্রান্ত বাণ, তার দৃঢ সন্ধান, বিন্ধে রাধাগোপীগণমন
भूषणेर भूषण अंग, ताहेङ्ललित त्रिभंग, ताहार उपर भ्रूधनुनर्तन तेरछे नेत्रान्त बाण, तार दृढ सन्धान, विन्धे राधागोपीगणमन
bhūṣaṇera bhūṣaṇa aṅga, tāheṅ lalita tribhaṅga, tāhāra upara bhrūdhanu-nartana terache netrānta bāṇa, tāra dṛḍha sandhāna, vindhe rādhā-gopī-gaṇa-mana
Synonyms
bhūṣaṇera—of the ornament; bhūṣaṇa—the ornament; aṅga—the limbs of the body; tāheṅ—that feature; lalita—delicate; tri-bhaṅga—bent in three places; tāhāra upara—above that; bhrū-dhanu-nartana—dancing of the eyebrows; terache—crooked; netra-anta—the end of the eye; bāṇa—arrow; tāra—of that arrow; dṛḍha—strong; sandhāna—fixing; vindhe—pierces; rādhā—of Śrīmatī Rādhārāṇī; gopī-gaṇa—of the gopīs also; mana—the minds..
Translation
"Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa's body is said to be the ornament of ornaments. Despite the wonderful beauty of Kṛṣṇa, there is His three-curved style of standing, which beautifies that form. Above all these beautiful features, Kṛṣṇa's eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated.